Cesare Attolini Grey Super 150's Flannel Sartorial Suit

Full Canvas Construction

A sartorial jacket - or coat - needs an interlining that will help give it shape and mold it. Canvas gives the item a tailored and crafted look. In short, it breathes life into it. Purely technical, canvas is made from either horsehair, wool, mohair or camel hair. It could also be a mix of them all, with varying thickness and weight. The canvas is stitched to the jacket, often by hand, thus making the canvas pieces 'floating' in the middle of the inner and outer cloth. This gives the jacket added flexibility. The canvas runs from the upper parts, all the way down to the end of the jacket. After you wear your canvassed suit for a while, it will begin to take your shape and look incredibly natural.

La Spalla Camicia

Spalla Camicia roughly translates to 'shirt sleeve' in Italian and is a shoulder style created and popularized by Neapolitan tailors. The name 'shirt sleeve' was so coined due to the characteristic shirring found at the sleeve's head where the fullness of the larger sleeve collapses. Rather than having the head of the sleeve turned back and stitched inside, the head is lapped under and stitched along the top.

Handmade Buttonhole

Handmade buttonholes are made using a chain of knotted loops called purl stitches that make them strong and visually distinctive. It takes about five seconds to sew a regular buttonhole with a machine – a single handmade buttonhole takes about 10 minutes to sew.

PICK STITCHING: DOPPIO IMPUNTURA

The doppio impuntura or ‘double pick stitching’. It is made as a backstitch, which is a highly time consuming process that looks like a little dot on the surface of the fabric. The doppio impuntura runs throughout the sides of the lapel, collar, pockets and shoulder seam. As a visible detail of handwork, it can be seen as the ultimate touch of elegance.

2.5 Button Closure

The ‘tre bottoni stirato a due’, also known as the three rolling on two lapel style, is perhaps the most infamous characteristic of the Neapolitan style jacket. The top button and buttonhole are ornamental, so are left unbuttoned. As the lapel rolls down it elegantly folds over the top button and stops just 4 cm above the second button creating the distinct roll of the lapel the style is known for. As it is intended to remain unbuttoned, the top buttonhole is actually made inside out so the beautiful side will still be visible.

Barchetta Chest Pocket

The barchetta pocket is often thought to be a tailoring detail exclusively from Italy. The word “barchetta” is Italian for “little boat.” It describes how the pocket floats on the chest, gently angled upwards, like the bow of a sailboat.

Neapolitan Darts

Neapolitan master tailors add two darts - think of them as pinched seams - to ensure the jacket’s body achieves a slim silhouette. The process, called mezzo punto riprese, is done entirely by hand.

Kissing Buttons and Handmade Buttonholes

Also known as stacked buttons or waterfall buttons, kissing buttons are associated with Italian tailoring as Italian tailors make their jacket sleeve buttons in the kissing style. In this style, buttons touch each other and overlap one another. Handmade buttonholes; Even this step, apparently the simplest, is treated with an abundance of detail. Attaching the buttons is a job that requires patience and must be completed to perfection.

Ticket Pocket

The ticket pocket, also known as change pocket, has an old British history. At first it wasn’t even used to store a ticket, as the name indicates today. It became useful before the huge popularity of the railroad, as it was placed on the jackets of equestrians who needed quick access to coins at toll points. Allowing gentlemen to keep their jackets buttoned, this exterior pocket held cash in an extremely convenient way. Ticket pockets were a staple on men’s sturdy country suits before they adapted into the urban suits men wore to commute on a daily basis.