Ermenegildo Zegna Royal Blue Gingham Check Jacket
50 IT / 40 US / Large
This single breasted jacket is cut from Zegna’s luxury in-house lightweight wool in a gingham check pattern. Notch lapels, flap pockets, double side vents and 2.5 button closure. Discover the elaborated sartorial details below.
By the time a Ermenegildo Zegna garment ends up hanging in an enthusiasts wardrobe, more than 500 hands will have touched it. They start their work by shearing the wool, weaving it, bundling it, dyeing it, knitting it, ironing it, cutting it, sewing it, ironing it again (and again). In Trivero, Piedmont, Zegna turns wool into cloth, and then sends it to the artisanal suit factory at Stabio, on the Swiss side of the Italian border, where the cloth becomes a tailored garment. What is thought to be simple is actually difficult, and what is thought to be done by machine is basically done by people, at a sophisticated level.
Composition: 100% Wool
Color: Royal Blue
Pattern: Gingham Check
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Shipping cost for orders under the minimum price depend on your country.
Right of return 14 days. The Return is at the customer’s charge.
Return on Consignment items is not possible.
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Full Canvas Construction
A sartorial jacket - or coat - needs an interlining that will help give it shape and mold it. Canvas gives the item a tailored and crafted look. In short, it breathes life into it. Purely technical, canvas is made from either horsehair, wool, mohair or camel hair. It could also be a mix of them all, with varying thickness and weight. The canvas is stitched to the jacket, often by hand, thus making the canvas pieces 'floating' in the middle of the inner and outer cloth. This gives the jacket added flexibility. The canvas runs from the upper parts, all the way down to the end of the jacket. After you wear your canvassed suit for a while, it will begin to take your shape and look incredibly natural.
A roped shoulder - or sleeve - head describes the bumped shape or ridge of the sleeve’s attachment to the shoulder. The higher it is, the more imposing the shoulder line appears. This can often be found in iconic British tailoring.
Handmade buttonholes are made using a chain of knotted loops called purl stitches that make them strong and visually distinctive. It takes about five seconds to sew a regular buttonhole with a machine – a single handmade buttonhole takes about 10 minutes to sew.
2.5 Button Closure
The ‘tre bottoni stirato a due’, also known as the three rolling on two lapel style, is perhaps the most infamous characteristic of the Neapolitan style jacket. The top button and buttonhole are ornamental, so are left unbuttoned. As the lapel rolls down it elegantly folds over the top button and stops just 4 cm above the second button creating the distinct roll of the lapel the style is known for. As it is intended to remain unbuttoned, the top buttonhole is actually made inside out so the beautiful side will still be visible.
Chest pocket - Rounded welt pocket
Also known as ‘barchetta’ Italian for ‘little boat’, it is so named because this pocket floats on the chest gently angled upward, just like the bow of a sailboat. These pockets echo the lively roll of a lapel that carries the spring of canvas and natural wool, unlike machine-made chest pockets that have a more stamped-out, rectangular shape and less life.
The tailors adds two darts - think of them as pinched seams - to ensure the jacket’s body achieves a slim silhouette. The process, called mezzo punto riprese, is done entirely by hand.
Horn buttons are prized for their quality. They are made with the finest genuine horn material, improving the appearance of the suit. And because they are so strong, you don't have to worry about them cracking or breaking.
This was originally supposed to keep debris from getting into jacket pockets when worn in the country. Flap pockets occupy a sort of middle ground in terms of formality: they are the main choice for business suits, but they can also appear on sport coats as a testament to their casual origins.